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The Yellow House: Vincent Van Gogh and Paul Gauguin Side by Side [Hardcover]

By Susan Goldman Rubin (Author)
Our Price $ 16.11  
Retail Value $ 18.95  
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Item Number 140580  
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Item Specifications...

Pages   40
Est. Packaging Dimensions:   Length: 12.3" Width: 9.42" Height: 0.41"
Weight:   1.17 lbs.
Binding  Hardcover
Release Date   Sep 30, 2001
Publisher   Harry N. Abrams
Age  4-8
ISBN  0810945886  
EAN  9780810945883  

Availability  0 units.

Item Description...
Describes the period of time two famous artists, Vincent van Gogh and Paul Gauguin, lived together and how they learned from and inspired each other.

Buy The Yellow House: Vincent Van Gogh and Paul Gauguin Side by Side by Susan Goldman Rubin from our Christian Books store - isbn: 9780810945883 & 0810945886

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More About Susan Goldman Rubin

Register your artisan biography and upload your photo! Susan Goldman Rubin is the author of more than forty-five books for young people, including "Andy Warhol: Pop Art Painter; The Yellow House: Vincent van Gogh and Paul Gauguin Side by Side;" and "Edward Hopper: Painter of Light and Shadow." A long-time instructor in the UCLA Extension Writers Program, Susan Goldman Rubin lives in Malibu, California.
Bagram Ibatoulline has illustrated many acclaimed books for children, including "The Matchbox Diary "and "The Animal Hedge, "both by Paul Fleischman; "On the Blue Comet "by Rosemary Wells; "The Miraculous Journey of Edward Tulane "and "Great Joy, "both by Kate DiCamillo; "The Serpent Came to Gloucester "by M. T. Anderson; and "Hana in the Time of the Tulips "by Deborah Noyes. Bagram Ibatoulline lives in Pennsylvania.

Susan Goldman Rubin currently resides in Malibu, in the state of California.

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Reviews - What do our customers think?
Great except for potentially scary or inappropriate content  Feb 18, 2004
This is a picture book format story for children aged 4-8, about the time period when Paul Gaugin lived with Vincent van Gogh in Arles, France. Bright and lovely illustrations by Jos. A. Smith and reproductions of van Gogh and Gaugin's works comprise the illustrations. There is not much coverage of the impressionists in general. If this is read as a first exposure to van Gogh, Gaugin, or impressionism, the child will be confused or not understanding. I feel this is a great accompaniment after the child knows something about the Impressionist movement, van Gogh, and Gaugin. The bright and lively illustrations really make this a special book.

The story covers the time when van Gogh invited Gaugin to visit through their visit and then ending with a description of their pen pal relationship after Gaugin left Arles. The story explains the different painting methods they used, even when painting the same subject at the same time. The author explains their use of their favorite colors for backgrounds is shown and how van Gogh preferred to paint exactly what he saw while Gaugin preferred to paint from his imagination or from the content of his dreams.

Their explosive relationship is discussed, including a fight that culminated in van Gogh cutting off part of his ear, which was the last straw for Gaugin, resulting in Gaugin's departure. Depending on the sensitivity of the child, learning of this event this could be disturbing. At the back of the book is a one-page biography of each artist. I am not sure if this part was intended to be read to the child; within the van Gogh bio, it is explained that van Gogh suffered from strange moods since boyhood, then goes on to say that after the ear-cutting episode the townspeople "demanded he be locked up in a mental hospital" and goes on to say he did end up in a mental asylum. Whether you want to read this to your young child is up to you. I take issue with the idea of telling young children that townspeople can call for someone to be locked up and then knowing it came to fruition! There is also the question of how much information you want your young child to know, or how much can they understand, about depression, mental illness and the mental asylums of the 1800s. I am not calling for censorship or shaming of depression or mental illnesses, but I have issues with as to the appropriate age to venture into a discussion of mental illness, depression and self-mutilation. Other van Gogh biographies for children aged 4-8 have not included information about the ear-cutting or about the mental asylum visit, although adults seem to always be interested in this part of van Gogh's life.

If the book did not contain the ear-cutting incident in the main body of the story I'd rate this 5 stars; I'll rate it 4 stars due to the content potentially being disturbing for children aged 4-8 which the publisher states this is appropriate for.

Meet Vincent Van Gogh and Paul Gauguin  Jul 5, 2002
During the fall of 1888, Vincent Van Gogh invited Paul Gauguin to come live and paint with him in the Yellow House in the south of France. "...he missed the company of other people, especially artists who could discuss painting. He hoped that warm, sunny Arles would attract fellow painters to join him. Together they would form a kind of family of artists, a Studio of the South." Van Gogh and Gauguin were very different in both temperment and style. Van Gogh worked quickly, painting "exactly what he saw with his own eyes", and often completed a painting in just one sitting. He "liked to load his brush with lots of paint and put it on the canvas in dots and dashes... Thick swirls of strong colors expressed his feelings-his love of nature, his joy in painting." Gauguin worked very differently. He painted more slowly, blending his paints on a palette, and spreading the colors "smoothly in careful shapes." He "painted pictures from his imagination-feelings, fantasies, and dreams." Together they worked side by side for two months, discussing art and techniques, and learning much from each other. And even after Gauguin left Arles, they continued to encourage each other through their letters..... Based on actual events, Susan Goldman Rubin has written an elegant and compelling story about the relationship between these two great artists. Her eloquent text is straightforward and informative. But it's Jos. A. Smith's artwork that really makes this book stand out. His evocative illustrations dazzle as they compare and contrast Van Gogh's and Gauguin's styles, techniques, and use of color, and include reproductions of some of the paintings created during that two month period. With biographies at the end to fill in details about both painter's lives and work, The Yellow House is an engaging, fact filled introduction, rich in history and drama, that is sure to intrigue young art lovers 5-10, and send them out looking for more
For inquisitive and artistic young minds  Dec 16, 2001
The Yellow House: Vincent van Gogh & Paul Gauguin Side By Side is a children's color picturebook about the how two legendary artists, Vincent van Gogh and Paul Gauguin, lived together in a Yellow House the south of France in 1888, and shared ideas about their painting. Yet they set about their artwork in very different ways; for example, Vincent painted what he saw while Paul painted from his memory and imagination. The Yellow House is not only an enjoyable story, but also an excellent introduction to the world of art for young readers. The vibrant color artwork strives to emulate a spark of the creative genius that van Gogh and Gauguin themselves poured into their life's work. The last two pages of The Yellow House consist of short biographies of the famous artists. An ideal gift book selection, The Yellow House is highly recommended gift book for inquisitive and artistic young minds.
What a wonderful way to teach children about art! And, not only are young readers introduced to two of the most colorful and compelling artists, but they also garner lessons in learning from one another and getting along with others.

Published in association with the Art Institute of Chicago this keepsake volume includes fine quality reproductions of paintings by van Gogh and Gauguin, as well as a brief but instructive biography of each painter.

During the autumn of 1888 these two mercurial artists shared a home in the south of France. Lonely and wanting the company of other painters van Gogh invited Gauguin to share his home in Arles. For some two months the men worked in close proximity to one another.

Disagree? Of course, they.did. In addition to technique and style they probably argued about a number of things. One thing they did agree on was that they could learn from each other.

Regrettably at that time van Gogh was on the brink of his nervous breakdown, and when that occurred Gauguin fled to Paris.

Yet, in many ways their time together was productive and memorable for both artists. "The Yellow House" will surely live in the minds of many young readers!


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