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The Gospel according to Hollywood [Paperback]

Our Price $ 15.30  
Retail Value $ 18.00  
You Save $ 2.70  (15%)  
Item Number 65550  
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Item Specifications...

Pages   173
Est. Packaging Dimensions:   Length: 8.51" Width: 5.76" Height: 0.53"
Weight:   0.65 lbs.
Binding  Softcover
Release Date   Jul 1, 2007
Publisher   PRESBYTERIAN PUBLISHING #86
ISBN  0664230520  
EAN  9780664230524  


Availability  83 units.
Availability accurate as of May 22, 2017 09:25.
Usually ships within one to two business days from La Vergne, TN.
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Item Description...
Overview
This new book in the Gospel according to . . . series will thrill movie buffs and casual fans alike. In an engaging style, author Greg Garrett looks at the theological elements in dozens of classic and recent Hollywood films, including a discussion about what the new openness to spirituality in the movies might mean for the future of American cinema and American religion. Chapter 1 examines how Hollywood films can shed light on the most basic proposition of Judeo-Christian theology, the existence of God. Movies such as It's a Wonderful Life, Field of Dreams, American Beauty, and Magnolia are discussed, along with the works of Alfred Hitchcock and M. Night Shyamalan. Chapter 2 shows how movies can help explain the way God is and works in the world and in our lives. To Kill a Mockingbird, Cool Hand Luke, The Matrix, and other films are presented here. Chapter 3 explores what Hollywood films can tell us about sin and evil using examples from Double Indemnity, The Lord of the Rings and Harry Potter films, Schindler's List, and Munich. In Chapter 4, Garrett looks at the concept of redemption in The Philadelphia Story, North by Northwest, The Fisher King, and other films. Chapter 5 discusses how we should be bringing the values of peace and justice into the world. Robin Hood, Brokeback Mountain, Unforgiven, Glory, and Crash are discussed. In Chapter 6, Garrett explores the depictions of the church and contemporary Christian belief in the movies and closes with what he sees as a growing openness toward faith stories in our culture.

Publishers Description

This book will thrill movie buffs and casual fans alike. In an engaging style, author Greg Garrett looks at the theological elements in dozens of classic and new classic Hollywood films, including a discussion about what the new openness to spirituality in the movies might mean for the future of American cinema and American religion.

Buy The Gospel according to Hollywood by Greg Garrett from our Christian Books store - isbn: 9780664230524 & 0664230520

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More About Greg Garrett

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Greg Garrett is Professor of English at Baylor University. He is author of the critically acclaimed novel "Free Bird," selected as one of the best first novels in 2002 by "Publisher's Weekly" and the "Denver Rocky Mountain News," as well as "The Gospel According to Hollywood" and "Holy Superheroes." He lives in Austin, Texas.

Greg Garrett currently resides in Austin, in the state of Texas. Greg Garrett has an academic affiliation as follows - Baylor University.

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Product Categories
1Books > Subjects > Religion & Spirituality > Christianity > Christian Living > General   [31520  similar products]
2Books > Subjects > Religion & Spirituality > Christianity > Christian Living   [0  similar products]
3Books > Subjects > Religion & Spirituality > Christianity > Reference > Bible Study > General   [2774  similar products]
4Books > Subjects > Religion & Spirituality > Christianity > Theology > Philosophy   [1924  similar products]



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Reviews - What do our customers think?
Sitting around the sofa  Feb 25, 2008
I picked up this book thinking it was an historical account of the portrayal of the gospels in Hollywood. There are many such books around that cover the history of blacks, homosexuals, drugs, and other topics in films, and the title suggested this was another of those type of books. It isn't. So what is it? In the author's own words - "I want to offer you a learned yet accessible look at films that can inspire as well as entertain, to show how you might use these films to discuss theological issues, and, wherever possible, to tie the stories of these films back to our core narratives about salvation and the life of faith (xxii - xxiii)."

Leaving aside my disappointment in not finding the historical account I was looking for, we need to evaluate the book on the basis of the author's goals, not my expectations. This is a well written book and the author is obviously a film buff, but I wouldn't go so far as to call this text a "learned" approach to film. There is very little depth to Mr. Garrett's film analysis, nor is there much backstory nor sociopolitical concurrents. In addition, Garrett usually ignores the box office information which I would have thought added value to any discussion of the film's impact. Mostly it is Garrett's reactions to films, rehashing the plots and reminding us of the actors whom played the various parts.

As far as being a teaching tool, I didn't see that either. Perhaps I am being too concrete and looking for teaching lesson material here. Of course Garrett's examples can be adopted by others and used for teaching, or any other purpose. But the book itself is hardly a teaching tool, even if the contents itself can be used for teaching.

Another problem I have with this book is that it is not particularly concerned with the gospels. Rather than using the gospels as the focus, Garrett adopts the culturally normative view of Jesus, which any scholar knows, is vastly different from the gospel point of view. I think the title "The Gospel according to..." is meant more as a play on words rather than an actual description of what we are getting.

So, the book doesn't live up to my expectations and neither does it seem to live up to the purpose as set forth by the author. Nonetheless, this is an entertaining book and well written, and if you like films and are very religious from a Christian perspective, this might be the type of book you're looking for.
 
Many Insights on Wide Range of Movies  Oct 31, 2007
Garrett writes from a "neo-evangelical" perspective, in the vein of Ron Sider or Sojourners Magazine. So his theology leans toward the conservative; his social and political views are slanted in a more liberal direction.

Garrett finds Christian themes in films ranging from old classics (The Philadelphia Story, To Kill a Mockingbird, Cool Hand Luke) to more recent movies (Pulp Fiction, Magnolia, American Beauty).

The first four chapters deal with more theological themes in films such as faith, the Trinity, sin, and redemption. The final two chapters explore more social and political themes such as war and peace, justice, poverty and race.

While I occasionally disagreed with Garrett's theololgy (and/or his politics), I found his insights into the spiritual themes in films unerringly accurate and insightful. The author avoids two common traps in Christian interpretation of film. He does not try to read explictly Christian ideas into movies where the filmmakers clearly did not intend them. Nor does he wholisticlally condemn films that contain offensive elements such as nudity or violence.

Instead he looks for the filmmakers intended themes and compares and contrasts them with Christian belief and practice. Although I have frequently taught college and greaduate classes on the spiritual themes in Hollywood movies, I learned a great deal from Garret's analysis.

Readers who are interested in this topic may also want to read "Hollywood Worldviews" by Brian Godawa.
 

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