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The Beautiful and Damned (Barnes & Noble Classics) [Paperback]

Our Price $ 7.61  
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Item Number 400250  
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Item Specifications...

Pages   416
Est. Packaging Dimensions:   Length: 1.25" Width: 5.25" Height: 8"
Weight:   0.4 lbs.
Binding  Softcover
Release Date   Jan 1, 2006
Publisher   Barnes & Noble Classics
ISBN  1593082452  
EAN  9781593082451  

Availability  5 units.
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Item Description...
"The Beautiful and Damned," by F. Scott Fitzgerald, is part of the "Barnes & Noble Classics"" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics":
  • All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works.

    In 1921 F. Scott Fitzgerald was twenty-five and heralded as the most promising writer of his generation, owing to the success of his first novel "This Side of Paradise." Recently married to the girl of his dreams, the former Zelda Sayre, Fitzgerald built upon his sudden prosperity with "The Beautiful and the Damned," a cautionary tale of reckless ambition and squandered talent set amid the glitter of Jazz Age New York.

    The novel chronicles the relationship of Anthony Patch, a Harvard-educated, aspiring writer, and his beautiful young wife, Gloria. While they wait for Anthony's grandfather to die and pass his millions on to them, the young couple enjoys an endless string of parties, traveling, and extravagance. Beginning with the pop and fizz of life itself, "The Beautiful and the Damned" quickly evolves into a scathing chronicle of a dying marriage and a hedonistic society in which beauty is all too fleeting.

    A fierce parable about the illusory quality of dreams, the intractable nature of reality, and the ruin wrought by time, "The Beautiful and the Damned" eerily anticipates the dissipation and decline that would come to the Fitzgeralds themselves before the decade had run its course.Pagan Harleman studied literature at Columbia College, then traveled extensively in the Middle East and West Africa before receiving an MFA from New York University's graduate film program. While at NYU she made several award-winning shorts and received the Dean's Fellowship, the Steven Tisch Fellowship, and a Director's Craft Award.

    Buy The Beautiful and Damned (Barnes & Noble Classics) by F. Scott Fitzgerald & Pagan Harleman from our Christian Books store - isbn: 9781593082451 & 1593082452

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    More About F. Scott Fitzgerald & Pagan Harleman

    Register your artisan biography and upload your photo! F. Scott Fitzgerald was born in 1896 in St. Paul, Minnesota, and educated at the Newman School and at Princeton. This Side of Paradise, his first novel, was published in 1920 and transformed him virtually overnight into a spokesman for his generation and a prophet of the Jazz Age. That same year, he married Zelda Sayre, and the two became America s most celebrated expatriates, dividing their time among New York, Paris, and the Riviera during the Twenties. Fitzgerald s most famous novel, The Great Gatsby, was published in 1925, and Tender Is the Night in 1934. After Scott and Zelda were forced by money and health problems to return to the States, Fitzgerald became a writer for Hollywood movie studios. He died in 1940 while working on his unfinished novel of Hollywood, The Last Tycoon. His other works include Flappers and Philosophers (1920), The Beautiful and Damned (1922), Tales of the Jazz Age (1922), All the Sad Young Men (1926), and Taps at Reveille (1935).
    Ruth Prigozy is Professor of English and Film Studies at Hofstra University. She is Executive Director of the F. Scott Fitzgerald Society, which she co-founded in 1990. She has published widely on F. Scott Fitzgerald as well as on Ernest Hemingway, J.D. Salinger, the Hollywood Ten, and film directors Billy Wilder, D.W. Griffith, and Vittorio de Sica. She has edited Fitzgerald s This Side of Paradise, The Great Gatsby, and The Cambridge Companion to F. Scott Fitzgerald. She is the author of F. Scott Fitzgerald: An Illustrated Life. She has co-edited two volumes on detective fiction and film, one on the short story, and two collections of essays on Fitzgerald.

    F. Scott Fitzgerald was born in 1896 and died in 1940.

    F. Scott Fitzgerald has published or released items in the following series...
    1. American Classics
    2. B&n Classics Trade Paper
    3. Barnes & Noble Classics
    4. Oxford World's Classics (Paperback)
    5. Penguin Classics
    6. Penguin Critical Studies
    7. Penguin Twentieth-Century Classics
    8. Scribner Classic
    9. Scribner Classics
    10. Signet Classics
    11. Six Tales of Jazz Age SL 157
    12. Sparknotes
    13. Vintage Classics

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    Improve our customers experience by registering for an Artisan Biography Center Homepage.

    Product Categories
    1Books > Subjects > Literature & Fiction > Authors, A-Z > ( F ) > Fitzgerald, F. Scott   [71  similar products]
    2Books > Subjects > Literature & Fiction > General > Classics   [48700  similar products]
    3Books > Subjects > Literature & Fiction > World Literature > United States > Classics > Fitzgerald, F. Scott   [80  similar products]

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    Reviews - What do our customers think?
    Shows Flashes of Brilliance  Oct 14, 2008
    Fitzgerald wrote this novel immediately before he wrote The Great Gatsby, to my mind to best American novel of the twentieth century. So I picked this book up with considerable interest. There are points in the book where Fitzgerald reaches some of the heights of Gatsby. The description of Patch's descent into alcoholism, his regrets and weird investment in his own nihilism and deterioration, and the extraordinary description of the dysfunctional co-dependency between Patch and his wife Gloria are truly great. This part of the book is riveting.

    Also worthwhile is the humor and satire of the book, something that really is not present in Gatsby. While in some respects, the book pokes fun at everyone, including Patch's crusading reformer of a grandfather and his novelist friend Caramel, I don't think Fitzgerald is himself a cynic or nihilist. The descriptions of what Patch's more idealistic Harvard classmates do and Patch's transient regrets about his wasted life, clearly reflect the conventional moral lesson that Fitzgerald is trying to deliver: do good; make something of your life.

    But the book is not in Gatsby's league, and Fitzgerald at this early point in his career (he's only 25) is still developing as a writer. The early chapters of the book are written with an irritatingly intrusive narration, and the reader must have patience to stick with the book. Fitzgerald seems to find his voice a third of the way through, and the novel then just takes off. The ending of the book is disappointing and contrived. It serves Fitzgerald's ironic purposes and digs at the idle rich, but it's not believable. Also, Fitzgerald does not understand the legal system that is at the heart of Patch's struggles and completely bungles his description of how the appellate process works. And the title of the book -- please. Couldn't he have come up with something better than that? It sounds like something his character Richard Caramel would use for one of his many bad novels. This book would have been much improved with editing or a rewrite.

    In any event, a lesser work by Fitzgerald is a masterpiece by anyone else's standards. I recommend it.
    "I don't care about truth; I only want happiness !"  Oct 19, 2007
    At first it is hard not to fall in love with Gloria Gilbert who, like all the self-besotted children of the heady and hedonistic Jazz Age, is so riotously frivolous, so disingenously self-centred. You excuse the fatuous languidness of her husband Anthony Patch as the transitory aimlessness of youth. But you know that these two have it coming when Gloria - in what FSF calls her "Nietszchean moment" - declares "I don't care about truth; I only want happiness!" While the rest of the Ivy League brahmins live out their dreams as writers and movie-makers, Gloria and Anthony squander their money and beauty on endless parties and clubs. At the end they are the flotsam of the Jazz Age. This tale strains at tragic grandeur without quite achieving it, chiefly because its two main protagonists remain essentially unlikeable, without any redeeming attribute that would stir our sympathy. The prose drips with lyricism, but it is without grace, poise and maturity. FSF was only 26 when it was first published, and this book displays a raw diamond that would attain polish a little later.
    Beautifully Written about Depressing Story of the B & D'd [96]  Oct 7, 2007
    Fitzgerald's farce or satire on upper crust New Yorkers can only be described as being realty becoming greater than fiction. Proclaiming the story "was all true", Fitzgerald intimated that this book was something akin to a kiss-and-tell novel about what had happened within America's richest crowd during the time of World War I.

    "Anthony, Maury, and Dick sent in their applications for officers' training-camps and the two latter went about feeling strangely exalted and reproachless; they chattered to each other, like college boys, of war's being the one excuse for, and justification of, the aristocrat, and conjured up an impossible caste of officers, to be composed, it appeared, chiefly of the more attractive alumni of three or four eastern colleges."

    Princetonian Fitzgerald created a Harvard protagonist Anthony Patch whose birth right is basically his only strong characteristic - at least so at the end of the novel. During his venerable youth, he locks eyes onto friend Rick's cousin, beautiful Gloria, whose unique spirit and vivaciousness make the self-described bachelor become betrothed.

    The book follows the couple for a period of just less than a decade, during which time they fall into numerous elations, and depressions. This see-saw bipolar personality/lifestyle depiction is all-too-common in Fitzgerald's novels. Such was well accentuated in Fitzgerald's doctor and patient relationship in "Tender is the Night" as the patient is ultimately cured and the doctor falls into a deep feeling of desultory depression -- dipsomania. Another of Fitzgerald's common themes is of men chasing after beautiful women who make the boys feel blushing discomfiture. Well depicted here with Gloria as well as in "This Side of Paradise" and its Amory Blaine who constantly trips in his whirlwind attempts to conquer beautiful Rosalind (whose personality and looks mirror those of Gloria).

    As the book progresses, you see the self esteem of Anthony deflate, while his wife amazingly awaits him to recover, by miracle or otherwise, and be the man she grew to love at the tender age of 22. Like "Tender is the Night", alcohol interferes with the person and with his relationships -- Anthony becomes a drunken "bore."

    There are points of this book you have to think - is this a hypothetical autobiography. Had "Tender is the Night" bombed instead of won critical acclaim, would not Fitzgerald have fallen into the liquor bottle like Anthony? I am sure he wondered as such.

    But, as sad as the book can be, Fitzgerald had times of folly and humor. Even a self-deprecating humor. He writes, in one discourse where the people talk disapprovingly about the new novels: "You know these new novels make me tired. My God! Everywhere I go some silly girl asks me if I've read `This Side of Paradise.' Are our girls really like that?"

    Amazingly well written, and even more astonishing in that Fitzgerald was 25 years old when he wrote this novel, this book deserves its acclaim and infamy.
    Silent Screams of Change  Nov 14, 2006
    "It is the manner of life seldom to strike but always to wear away." In The Beautiful and Damned, the author, F. Scott Fitzgerald creates a compelling struggle between life and his two dynamic characters Anthony and Gloria. Fitzgerald inserts his own questions of life and relationships in the offhand statements of his characters, usually too well placed to even be noticed by the reader. And such is the manner of The Beautiful and Damned, to strike at the soul and mind and to wear away our own definitions and conceptions through silent screams of indecision, fear and regret.

    Fitzgerald uses his understanding of literature and the power of words to convey two stories: one on the surface, and one, hidden below all plot lines, running deep within each character and within all people who have ever dared to live. He uses color and imagery to clue his readers to this underlying message. Also, Fitzgerald writes in a "play-like" manner, with certain character dialogues, a sense of staging, narration and even in some parts of the book even special "play-like" formatting. This method creates an image of the surface plot, the plot the reader can tangibly grasp: the raised print on the page, the crisp sheets, the grammar and the structure of the story. These elements leave behind all that the reader feels and understands on a deeper level inside the mind, making each reader digest all this information alone, because it is not just bluntly stated by Fitzgerald on paper. This story allows the reader to just read a story, or to jump into the structure of the mind and soul, freeing locked feelings and questions. Fitzgerald's power is to massage his words giving each phrase the power to strike the reader and let them see themselves for the first time.

    "They were in love with the generalities."  Sep 22, 2006
    I recently went to see Gatz, the wonderful adaptation of Gatsby by the Elevator Repair Service, and it inspired me to go back to Fitzgerald's body of work. I had read all the major the major works except for The Beautiful and Damned, and I decided to remedy that gap.

    The Beautiful and Damned is an interesting book-- I probably liked it the least of all the Fitzgerald works, but I like his work enough that this is far from a bad thing. I could have lived without the overly obvious moralizing genaralities, but Fitzgerald himself recognized that this book had been written in too much of a hurry.

    The major strength of the novel is, of course, the characters. We have all known versions of Gloria and Anthony Patch. We went to college with them. They were the social butterflies who seemed to have no worries, no weaknesses, and no real cares. We all assume that somewhere along the way they had to have stopped partying and found something to do-- you cannot imagine these people at 30. The Beautiful and Damned is something about what happens when the butterflies of the world keep going well past the point of excusable youthful mistakes.

    People who already enjoy Fitzgerald should give The Beautiful and the Damned a read. It is certainly no Great Gatsby, but still contains much of the style and talent that made Fitzgerald so justly famous. Pay particular attention to the language and the turn of the phrase-- even in his lesser works, Fitzgerald is unparalleled at his particular kind of style.

    Write your own review about The Beautiful and Damned (Barnes & Noble Classics)

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