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Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond [Paperback]

Our Price $ 30.59  
Retail Value $ 35.99  
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Item Number 381949  
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Item Specifications...

Pages   304
Est. Packaging Dimensions:   Length: 8.92" Width: 12.08" Height: 0.8"
Weight:   2.55 lbs.
Binding  Softcover
Release Date   Jun 10, 2008
Publisher   First Second
Age  15-20
ISBN  1596431318  
EAN  9781596431317  

Availability  0 units.

Item Description...
A course on comics creation offers lessons on lettering, story, structure, panel layout, and much more, providing a solid introduction for people interested in making their own comics. Original.

Publishers Description

"A gold mine of essential information for every aspiring comics artist. Highly recommended." --Scott McCloud

"Drawing Words and Writing Pictures" is a course on comic creation - for college classes or for independent study - that centers on storytelling and concludes with making a finished comic. With chapters on lettering, story structure, and panel layout, the fifteen lessons offered - each complete with homework, extra credit activities and supplementary reading suggestions - provide a solid introduction for people interested in making their own comics. Additional resources, lessons, and after-class help are available on the accompanying website,

Buy Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond by Jessica Abel & Matt Madden from our Christian Books store - isbn: 9781596431317 & 1596431318

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More About Jessica Abel & Matt Madden

Register your artisan biography and upload your photo! Jessica Abel is the author of Soundtrack and Mirror, Window, two collections that gather stories and drawings from her comic book Artbabe, which she published between 1992 and 1999. She also collaborated with Ira Glass on Radio: An Illustrated Guide, a nonfiction comic about how the public radio program This American Life is made. Abel won both the Harvey and Lulu awards for Best New Talent in 1997; La Perdida won the 2002 Harvey Award for Best New Series. Abel s young adult novel, Carmina, is forthcoming in 2007, and she is currently collaborating on another graphic novel, Life Sucks, and a textbook about making comics.

From the Hardcover edition."

Jessica Abel currently resides in Mexico City. Jessica Abel was born in 1969.

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Reviews - What do our customers think?
Amazing book  Sep 29, 2008
I bought this book for a class titled "Human Satire and Caricature". All of the projects for our class came out of this book, or were somewhat derived from the lessons, and I must say, it's one of the best classes ever.

The text is a large contributor, but not the only one. My professor's an amazing guy as well.

Definitely a great buy if you're into anything dealing with comics, technical drawing, layout, storytelling, or any combination of those. It's structured really well, and a person with nearly no artistic talent can easily be turned into a decent comic artist by reading this book front to back and following the lessons in it.
A Welcome Addition to Your Collection  Jul 16, 2008
I am a BIG fan of both Abel and Madden's work. I go to BOTH of their websites several times a month and "La Perdida" and "99 Ways To Tell A Story" are part of my collection of graphic novels.

This book is great for high school & college art teachers who want to teach sequential art to their classes. I believe the content is particularly suited for art majors that are interested in the finer points of visual narrative. And you can tailor your curriculum around the chapters if you so choose. If you want to use these for middle school kids I think simpler steps need to be added. I like the fact that people can form groups: "Nomads" OR go do it alone: "Ronins" and follow the lessons independently.

This book is NOT bad.

All the chapters and lessons are made to be studied in sequence and if you are an old timer to comic art you can easily skip to other chapters; which I did alot. A seasoned pro will probably go to the chapters that interest him/ her the most. One chapter that I REALLY like was called "Black Gold" the chapter on using and inking with a brush.

The other chapters on page layout, panel construction, character design,
facial features/ figure anatomy were VERY good.

My ONLY complaint was the layout of the book. My [web]comic artist collegues & I felt there was TOO much white space waisted on each page, the typeface was too small and that neon orange color used throughout the book distracting. It was hard to read and strained the eyes.

Plus being a webcomic artist myself I wanted to see MORE about using the computer for making comics. It covered scanning, re-sizing, adjusting your line art in PhotoShop, etc. The chapter on lettering was good; but they tended to downplay the use of COMPUTER LETTERING. They make a STRONG point in favor of HAND LETTERED comics; but it would have been nice if they address lettering on the computer as well.

My Suggestions:
A. Read the book cover to cover.
B. Do the Exercises. I am in a NOMAD group; plus I'm doing the RONIN thing as well.
C. Do the Homework.
D. Go back to your favorite chapters again and again.
E. Cross reference this with OTHER books on how to make comics.

This book is a welcome addition to any comic artist's arsenal of graphic narrative/ sequential art references. Use it along with books by Will Eisner & Scott McCloud and you'll be fully versed in the Language of Comic Art.
Wanna' Make Comics? Start Here...  Jun 12, 2008
I brought an advance copy of this book into a college illustration class I teach. The class was quite impressed. In fact, two students went onto this site online and bought it instantly. Usually I discourage shopping during class, but Drawing Words and Writing Pictures is an answered prayer for the aspiring comics artist.

This is an ideal text for a 15-week class in comics. It also has guidance for starting an informal collective class. It includes suggestions for the stereotypical solitary artist, who the authors are gracious enough to refer to as ronin. There is a wealth of info on the narrative process, page design, lettering, pens, and even Photoshop scanning advice.

The authors' individual web pages present a lot this DIY info, so search out their sites, see if their philosophies appeal to you. The book contains multiple perspectives from two remarkable artists. Matt Madden is into "formalist" styles, working within Houdini-like constraints. Jessica Abel's La Perdida is one of the great masterpieces of the long-form graphic novel.

From George Herriman to Robert Crumb, Charles Burns, to Kaz and John Porcillino, the book is crammed with a diversity of styles. Wide-ranging and inclusive, no matter what one's preferred comics style, from manga to superhero to alternative, you will find something to like here.

Instructors will find the bibliography alone is worth the price of admission, I teach a seven-week college comics course each fall. My plan is to email the students over the summer, tell them to get this book and get started on the exercises. The ronins will get a head start and their classmates will lose face.

Scott McCloud's Making Comics is also a valuable college course text for serious students, who have some background in reading comics and thinking critically about the artform. Drawing Words and Writing Pictures, however, has practical exercises for students at any level. Highly recommended.

Write your own review about Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond

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